Sorry, your blog cannot share posts by email. Leave a Reply Cancel reply Enter your comment here Kula Kulluk Yakisir Mi. Release Date August 27, Abe Maneri and Tom Jameson: During that long interval, the pair have played together so often, they appear to have perfected a musical language that walks not only between various musical traditions but through them simultaneously, coming through the other side with something timeless. Sexy Trippy All Moods.
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Jazz Latin New Age. Email required Address never made public. None of the five improvisations here reaches four minutes.
Kula Kulluk Yakişir Mi (Live In Bursa, 2011)
The degree of intuitive interplay is so high, it is almost impossible not to regard these as formal works. There are poignant silences within these arrangements, where the individual or paired instruments resonate as if to underscore meaning, either directly intended by a kulla or intuited yaisir it — check the two-minute mark of the traditional “Alli Turnam,” where the theme trails off, is followed by a naturally echoing space, and then turns back on itself to speak of the troublesome historical present even as it addresses a more innocent past.
Kula Kulluk Yakisir Mi is outstanding for its depth and truly masterful execution, but more than this, it is revelatory in the way it connects players to one another inside the music, and listeners to both musicians and sound, as it evokes emotions that are far beyond the reach of words. Post was not kula kulluk yakisir mi – check your email addresses!
These two sages embrace order, even as they convey the chaos of things, turning night into day. You are commenting using your WordPress. Erzincan is regarded as the greatest living practitioner of the Anatolian baglama tradition it is also called a saz, a long-necked lute type of instrumentand like his partner here, possesses a wildly adventurous spirit, not only in moving from Turkish folk and Western classical traditions with seamless ease, but also as an improviser.
While everything here feels like it is of a piece — the performance kula kulluk yakisir mi seems to stop — it doesn’t necessarily sound kuls it.
Kula Kulluk Yakişir Mi – Wikipedia
Its title is taken from the folk song by the late prolific Turkish folk musician Muhlis Akarsu. Although the improvised portions are distinct from their evergreen counterparts, both draw upon the remembered and the unknown. The final nine minutes, entitled “Intertwining Melodies,” weave four traditional songs and become an extended improvisation upon them all, even as they are united in one flowing river of sound, history, and mystery.
Sexy Trippy All Moods. Fill in your details below or click an icon to log in: Kula Kulluk Yakisir Mi was recorded live in In his book Global Minstrels: At key moments, the musicians get swept up in the power of kula kulluk yakisir mi all, building from simple elements to powerful abandon.
They are informed by the traditional songs that precede them and foreshadow those that follow, as they shift and transform songs into sounds that are both yakisi strange and ancient — familiar in the body’s cellular memory and in the heart’s present moment. Kula Kulluk Yakisir Mi. During that kulq interval, the pair have played together so often, they appear to have perfected a musical language that walks not only between various musical traditions but through them simultaneously, coming through the other side with something timeless.
Notify me of new comments via email. Photo by Todd Rosenberg. Genre Avant-Garde International Jazz. You are commenting using your Facebook account. He has a relentlessly mercurial musical mind. Khlluk Day Kula kulluk yakisir mi Road Trip.
Kalhor is an Iranian master of the kamancheh spike fiddle. You are commenting using your Twitter account.