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No, I Don’t Remember. That’s especially true of the album’s first half, where the pulsing, stripped-down mqyday are colored by majestically thick string arrangements penned by Yttlingwho also contributed his multi-instrumental talents throughout.
Leaving on a Mayday
Drinking Hanging Out In Love. Sexy Trippy All Moods. Heartache Introspection Loneliness Reflection Sorrow. My Heart Still Beats for You. Release Date November 25, It was a savvy move — for one thing, the collaboration netted Ternheim a Swedish Grammy for Album of the Year — trenheim the results were a modest but significant step away from the accomplished but slightly faceless and overstuffed jazzy lounge-folk of her earlier work, toward an edgier, more distinctly pop direction.
While hardly as gritty as Yttling ‘s work on Lykke Li ‘s Youth Novelsor his own band’s album Living ThingLeaving on a Mayday shares with those records an inventive sparseness — achieved more through a spacious openness in the sound than a reduction in the number of instruments, per se — and in particular a relative paucity of guitars in favor of, among other things, q prominent percussion.
Summer Rain Anna Ternheim. The tail-end of the disc finds Ternheim in a folkier vein, with the simply, sweetly strummed “Summer Rain,” the tense, fingerpicked “Off anna ternheim leaving on a mayday Road,” and the foreboding, folkloric dirge “Black Sunday Afternoon” offering a nice reminder of her stylistic breadth.
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